2026
紙本鉛筆 Pencil on paper
300cm x 40cm

作品介紹 Artwork Description:
沿著上海淀浦河從朱家角到黃浦江，本作品以一個月的藝術駐留經驗為基礎，結合沿岸景觀、日常觀察與共同生活的片段，構成一段關於時間、空間與人際關係的敘事。

作品以「朔望月」作為時間結構，將月相的循環與旅程同步展開。隨著上海郊區逐漸進入市區，月亮的盈虧亦成為情感變化的節奏：從相遇、靠近到分離，關係在時間的推移中持續生成與轉化。月光作為時間的可見形式，映照於流動的河面，也因水流而不斷變形，成為記憶與經驗流動性的隱喻。

作品關注駐留作為一種暫時性的共同生活狀態，以及人在特定時間與地點所形成的短暫連結。來自不同背景的個體，在有限的時間內共享生活與創作，最終各自離開。透過河流與月相兩種持續循環的自然節奏，作品思考相遇與離別如何構成人際關係的時間尺度，以及那些無法被留存、卻持續影響彼此的經驗。

Tracing the Dianpu river from Zhujiajiao to the Huangpu River, this work draws on a one-month artist residency to link together riverside landscapes, everyday observations, and fragments of communal living into a reflection on time, space, and interpersonal relations.

Structured around the lunar cycle, the work adopts the phases of the moon as its temporal framework. As the journey moves from Shanghai's suburban edges toward the urban centre, the waxing and waning moon parallels the rhythms of human relationships from encounter and intimacy to separation. Moonlight renders time perceptible, while its reflection on the moving surface of the river remains unstable, becoming a metaphor for the fluidity of memory and lived experience.

The work considers the residency as a temporary condition of living together, in which individuals from different places come to share time, space, and artistic practice before dispersing again. Through the recurring rhythms of the river and the moon, it reflects on how encounters and departures shape the temporal dimension of human relationships, and how fleeting moments of coexistence continue to resonate beyond their duration.